Tuesday, 30 August 2016

Anarchy Strength

After a series of meetings over the past few weeks I am excited to announce that I shall be working very closely alongside Anarchy Strength to promote injury care and education within the Strongman and StrongWomen community. In addition to writing on their upcoming blog, I shall be travelling with Anarchy Strength to Strongman events to provide my services as a Graduate Sports Therapist and First Aider. If you see us at these events please come say hello!

Keep an eye out on the Anarchy page and my own to see what we're up to! 💪🏼 #StartStrongFinishStronger




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Saturday, 20 August 2016

Reducing Tight Hip Flexors



The hips can often become tight due to a number of causes such as; inactivity and injury. Most people will find that their hip flexors are short and weak.


For those unfortunate to have desk jobs, sitting down for long periods of time passively contracts the hip flexors. As a consequence this negatively affects our posture and athletic performance.


Anterior pelvic tilt is due to tightness in the hip flexors. Tightness within the area pulls the pelvis forward and tips the bottom up, creating an arch of the lumbar spine. Many people as a result suffer from lower back pain.


In order to perform optimally and pain-free it is important that our hip flexors are flexible yet strong in order to perform movements such as the squat and lunge.


One key method to reduce tightness in the hip flexors is to stretch.

There are many stretches you can perform to stretch this area, so plenty to try out to find which works best for you. Here are my 5 favourite to perform -


1.    Pigeon





There are several ways to get into the ‘Pigeon’. You can either take it from a downward-dog, or begin in a low lunge, placing weight through your hands, tuck the ankle in towards the centre of the body. Position the heel so that it is in line with the other hip. Shift your weight central so that it is eventually distributed between both hips. Hands should be placed on either side of your legs.


2.    Low lunge

    
Begin standing. Take a step on one leg in front of the body. As you place the heel down slowly bend the front knee and allow the knee of the back leg to rest on the floor. Ensure the bottom is tucked down and posture is upright.


3.    Spider-Man

From a press up position take one foot up towards the hand and place it down on the outside. The foot should be flat on the floor. Distribute the weight evenly between both hips and sink your weight down into the stretch.


4.    Wide squat


Stand with your feet slightly wider than your hips. Bend your knees and sink your bottom down towards the ground. Heels should be resting flat on the floor. If this is difficult you can use a rolled towel or a book under the heels as support. Bring your palms together and tuck your elbows into the side of your knees.


5.    Happy baby

Lying on your back draw your knees up into your chest. Hold your instep or big toes and allow your knees to fall into the side of your chest. Actively draw your knees towards the ground.


What are your favourite stretches for the hip?
-E
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Monday, 15 August 2016

Athletic Artists


The importance of muscular strength within dance

With the ever growing demands on dancers by choreographers, the body is put under increasing strain. It is therefore just as important that the dancer trains their fitness levels, as training the skill.  In the past, a lack of focus on dancer’s health has led to injury complications of bone and muscle, causing time away from the art. Similarly to sport, dance technique requires a number of demands. However unlike dance, sport has had a key focus on its athletic conditioning for at least 2,500 years. In my eyes, dancers are not just artists, but also athletes, and so they require a high level of physical fitness to meet the high demands of daily training.

In the past, strength training for the dancer has been frowned upon and disregarded due to the fear of upsetting the key aesthetics and flexibility which are supposedly crucial to build a successful career. However it has been suggested that contemporary dancers, who show a greater level of athleticism and come from a background of other disciplines such as gymnastics, show greater strength levels.


Why is building muscular strength important for the dancer?

All factors from strength training intertwine with one another to produce...

-    Improved force production - through improving force production, the dancer can enhance the aesthetics of their performance i.e. increased jump height
-    Reduced risk of injury - within dance, fatigue has been shown to be a leading cause of injury, thus causing time away from work. And so with higher fitness levels, the chance of fatigue within performances decreases.
-    Decrease in osteoporosis - low bone mass may lead to the condition osteoporosis, a key concern within dancers, particularly females. Through increased loading of the bones, the bone structure strengthens, thus decreasing the risk of osteoporosis.
-    Increased aesthetics - research has found strength training to decrease body fat, leading to a leaner look. Additionally, it was found that strength training did not alter the aesthetic appearances within dancers by causing hypertrophy, but leads to greater levels of strength within the trained area.
-    No changes to flexibility - despite popular thought, strength training has not been found to decrease levels of flexibility. However it is recommended that the following principle is followed in order to maintain/increase flexibility levels - 'Strengthen what you stretch, stretch what you strengthen'.
-    Increased stability – strength training exercises can be used to develop neuromuscular control. These proprioception exercises allows the body to develop greater awareness of the joint in its surroundings and in turn making the joint more stable.
-    Reduced joint pain – through strengthening the muscles around the joint, weaknesses are removed, thus reducing pain caused by possible imbalances.



So what are you waiting for?


Note: I would recommend always seeking help from a qualified professional prior to beginning a program. This will ensure all your current training, injuries and needs will be taken into consideration when building a program.


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Thursday, 11 August 2016

Guest Interview - English National Ballet Dancer Joshua McSherry-Gray



Tell us about yourself
I’m a dancer with English National Ballet (London) about to enter my 8th season with the company. My daily routine starts at 10:15am. We begin every day with a Ballet class, warming up at the ‘Barre’ for around 45 minutes. It's designed to slowly get the body going by warming up the muscles and gaining flexibility. Throughout the ‘barre’, the exercises become increasingly harder and more challenging. Then we start to train in the centre for balance, coordination and orientation. This consists of pirouettes and finishing the class with Grand Allegro (big jumps). 
We then have rehearsals throughout the day for the upcoming production.  On rehearsal days we finish the day at 6:30pm, however show days can be very difficult and long. We often finish at 10:30pm for weeks, if not months at a time during production time.
I am massively passionate about the ‘behind-the-scenes’ and the social media side of ballet. I have a great pride in connecting with people and showing everyone the reality/hard work it takes to be a professional ballet dancer. 
I created BalletFriends.co.uk as a platform for dancers to showcase their own view on ballet. I release monthly interviews with dancers from all around the world. I also created a space for bloggers to increase and further their audience with topics all related to ballet. I have an instant access to 25K+ followers across my @BalletFriends social platforms. I get a real kick from knowing that I started with (0) and now I have built an audience that are loyal and passionate.
I’m also very enthusiastic about travelling the world and seeing different cultures and cities. I consider myself very lucky to have seen many parts of the world on tour with English National Ballet. 
The past two years have been amazing! I’ve been to China, Singapore, Colombia, Oman, Paris, Spain, and some fantastic cities throughout the UK. 
What type of supplementary training do you do? What benefits have you seen from this training?
I do a lot of body weight ratio training in the gym at work, 3-4 times a week. I work a lot with a square standing frame where I can do pull-ups and bench press for chest and torso strength. We have a personal trainer at English National Ballet who keeps an eye on us all the time. Many of us have tailored and specific programs made for us. 
I feel great benefits from building strength in the gym. It really helps with partnering, especially roles which require having to lift a lady above your head with locked out arms. Many roles require having to hold partners for many minutes at a time while supporting their whole body weight. I do a lot of neck strengthening and rotation cuff strengthening. It's common for male dancers to get injured from partnering. The durability and endurance during a Pas de deux ‘partnering’ can be extremely difficult at times. I have also danced roles which have required me to lift other men. Using the gym in a controlled manor and with perfect form can have huge benefits on a classical ballet body. 
At what age or stage in your dance career did you realise supplementary training was necessary?
My initial realisation of how supplementary training is completely necessary to a ballet dancer was about three years ago. As a dancer with English National Ballet we perform at the Royal Albert Hall. It is a vast venue in comparison to many other theatres. Everything is twice as hard for stamina because it is such a big space. 
I have recently introduced HIIT training ‘high intensity interval training’ to my routine. I feel this has really improved my durability and endurance for high impact ballet, especially for shows.
What is the support system like at the English National Ballet for dancer’s health?
The sports science team at English National Ballet is excellent! English National Ballet and GJUUM LTD work very closely and seamlessly to support the dancers with sports science. We have constant measurement of our fitness throughout our season. We also have annual tests, so we can compare results from different years to see how we have progressed in certain areas. 
Do you feel there is a different attitude towards supplementary training between male and female ballet dancers?
There are definitely differences between the male and female training programs. For example, the men will do a lot of weight training to gain maximum strength for partnering and leg training for stabilisation in landing jumps. The ladies often stick to core stability exercises and body weight ratio exercises to keep/gain strength without bulking. Even though our exercises may be different in certain ways the structure for all employees are the same.
How do you juggle all you do and make time for supplementary training?
Sometimes it can be difficult to train as our timetable can be extremely busy and heavy on the body. I often make a great effort to train in the morning before work starts or at the end of the day if I still have the energy.
What supplementary training do you do on tour? 
A member of the GJUUM LTD sports science team is always with us on tour, whether it's national or international touring.
What is your favourite strength or aerobic exercise to perform?
I really enjoy doing pull-ups as I feel it really helps me with my back, arm and grip strength. I also enjoy doing HIIT cardio on the rowing machine.
What is your least favourite strength or aerobic exercise to perform?
I have to say I don't enjoy exercises which involve my lower back. I've had some back injuries and spasms in the past. I now take extra care and I'm very cautious about my form when I strengthen my back with exercises. This used to be a challenge for me however I now feel like my patience has paid off and I have overcome my phobia.
How can we find you on social media?
I’m very active on my social media accounts.
Here you can follow my life and daily routine as a professional ballet dancer -
https://www.snapchat.com/add/balletfriends 



Behind the scenes with Joshua...

#ENBSheSaid

Joshua McSherry-Gray and Juan Rodriguez.

Ballet barres to Barbells ...

Bruising from partner work.

Back stage at Sadler's Wells with MAC makeup team before #ENBSheSaid


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